Fra Angelico Blue
The luminous, rich blue named for the friar who painted heaven with it — ground from genuine Afghan lapis lazuli.
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Five primary genuine gemstone pigments, 30 grams each, hand-milled in our studio from real semi-precious stone, never dyed, never imitated. From these 5, you can mix an entire palette, so there's no colour you need to buy that you can't make yourself.
No grinding required. The pigments are already very fine, so a slight mull or mix with your chosen medium is all it takes, then they're ready to use. Make your own oil paint, gouache or watercolour, or mull them for egg tempera and fresco. Because the pigment is real stone, the colour stays luminous and exceptionally lightfast for generations, with no fillers, chalk or synthetic brighteners.
The five primary pigments:
Suggested mediums: walnut oil brings out the lapis lazuli and keeps its blue true, while poppy or linseed oil suits the malachite and jaspers. For watercolour or gouache, any gum arabic works, ideally one suited to heavier mineral pigments.
Ground by hand from genuine Afghan lapis lazuli and other semi-precious stones, the same colours the Old Masters prized. Also available as finished gouache, watercolour, and oil paint.
Five genuine gemstone pigments — the rich blue of Fra Angelico and four mineral earths — 30 grams each, ready to become any colour you can mix.
No grinding needed. A slight mull with your chosen medium and the colour is ready — oil, gouache or watercolour.
The rich blue of lapis lazuli and four mineral earths — pure, hand-milled, and ready to mix into any shade, from soft charcoals to deep jewel tones.
The luminous, rich blue named for the friar who painted heaven with it — ground from genuine Afghan lapis lazuli.
A cool, living green from true malachite — vivid, deep and utterly natural.
A warm, earthen red with the glow of desert stone — grounding and rich.
A soft, golden ochre — warm sunlight held in mineral form.
An earthy, olive green with a quieter, grounded tone — the perfect counterpoint to malachite.
These five primaries are a complete studio in miniature. Blend them for charcoals, greys, violets, browns and countless shades in between — no need to buy a colour you can mix. Want a charcoal blue? Temper the lapis with a touch of red and green.
Ground from real semi-precious stone in our own studio — never dyed, never imitated.
A generous, sealed 30-gram jar of each of the five primary colours.
Already milled fine — a slight mull or mix with your medium and the colour is ready to use.
Mix your own charcoals, greys, violets and browns — a whole palette from five jars.
Nothing but ground stone — no fillers, no chalk, no synthetic brighteners.
Genuine mineral pigments hold their brilliance for generations and resist fading.
The pigment is ready — you decide what to bind it with. A light mull is all it takes; no grinding required.
Walnut oil brings out the Fra Angelico lapis beautifully and keeps its blue true. Poppy or linseed oil suit the malachite and the jaspers.
Any gum arabic medium works. For these heavier mineral pigments, a gum arabic suited to minerals gives the smoothest, most even mull.
Mull with egg yolk for tempera, or with lime for fresco — the pure pigment adapts to any traditional medium.
The same stones that lit the great paintings of the Renaissance, milled in small batches by hand — offered pure, as the masters' own colourmen once did.
De Mairo · Genuine Gemstone Colours · Made in Canada
Rather not mix your own? The Palette di Pietra colours are also offered as finished paint — pick the form that suits your work.
View the oil set →
This set.
Five primary gemstone pigments, 30 grams each: Fra Angelico blue from genuine lapis lazuli, malachite green, canyon red jasper, yellow gold from yellow jasper, and green jasper. From these five you can mix an entire palette.
No. The pigments are already milled fine, so no grinding is needed — a slight mull or mix with your chosen medium is enough, and they're ready to use.
Yes — they're primaries. Blend them for charcoals, greys, violets, oranges, browns and countless shades in between. For a charcoal blue, for example, temper the lapis with a little red and green.
For oil, walnut oil is best for the lapis lazuli, and poppy or linseed oil suit the malachite and jaspers. For watercolour or gouache, any gum arabic works — ideally one suited to heavier mineral pigments. You can also mull them with egg yolk for tempera or lime for fresco.
Yes. Every jar is real ground gemstone — never dyed or imitated — and genuine mineral pigments are exceptionally lightfast, holding their brilliance for generations.
As with all fine art pigments, work in a calm space and avoid inhaling the dry powder — mull gently and keep the jars sealed when not in use. Once bound into a medium, the colour is settled and easy to work with.
Five genuine gemstone pigments, 30 grams each, ready to mull into any medium — the purest, most versatile form of the palette.
Acquire the setNo harmful synthetic additives

From mineral sources
Used by professional artists worldwide
If unused — see policy
Clear customs documentation provided